In his younger days, Alfred Hughes had been quite the Nineties revolutionary at his university in England, clad in faded army fatigues and smoking Cuban cigars. They called him Ché Freddo. His comradesinarms were Nido—Nitin—son of divorced Indian immigrants, and Eugenia—ardent admirer of Sylvia Plath, who believed that one had to sacrifice everything for a cause, be fearless in death. Into this mix came Anju Kale, of British Asian heritage, the only child of a disheartened Indian Marxist father and a submissive, but wealthy, English mother, and her entry into this tigh Read More..